Chapter 1: My Nikon Journey

Over the years, I've amassed a collection of Nikon cameras that I hold dear. My black FG film camera is a compact gem that delivers stunning shots, while my D610 DSLR accommodates every lens in my collection, making it hard to part with despite its infrequent use.

I also cherish my lenses, including the iconic "Steve McCurry" 105mm f/2.5 telephoto, a Series E 35mm f/2.5, a 28mm f/2.8 D, a 50mm f/1.8 G, and a beloved 24–85mm G. (There are certainly a few more I might have overlooked...)

Despite feeling a twinge of guilt for keeping this gear, as I usually lean towards more compact models from Fujifilm and OM System, the introduction of the Nikon Zf has made me realize that my instincts were spot on.

Chapter 2: The Nikon Zf Mirrorless - Bridging the Past and Present

Much of the buzz surrounding the full-frame mirrorless Zf revolves around its striking retro design, and rightly so. Nikon's expertise in camera aesthetics shines through in this model. The clean and organized top deck contains all the essential controls without overwhelming clutter.

The design prioritizes ease of use, with exposure modes, ISO, shutter speed, and video settings neatly arranged. The chrome-plated shutter button enhances its appeal. The Zf fosters a seamless creative process, appearing uncomplicated while boasting impressive capabilities.

I opted for the kit version that includes the Nikkor Z 40mm f/2.0 SE lens. It's the sole Z-mount lens in my possession, and I find it quite satisfactory. It complements the Zf beautifully, striking a balance between size and speed. (I would love to see more SE lenses in the lineup—perhaps a 105mm to accompany the existing 28mm and 40mm?)

My FTZ II adapter ($249) is another critical component of my setup, allowing me to utilize my classic AF-S Nikkor 50mm f/1.8 G ($196), a fantastic lens, with the Zf. The combined length of the adapter and lens is 3.25 inches (approximately 80mm), while the native NIKKOR Z 50mm f/1.8 S measures 3.41 inches (86.5mm) and is priced at $526. Personally, I prefer the traditional look of my older lens, especially since I already own it.

In a similar vein, my AF-S Nikkor 24–85 mm f/3.5–4.5 G zoom lens measures 4 inches tall with the adapter, while the NIKKOR Z 24–70mm f/4 S is shorter at 3.48 inches and retails for $996. I'm enjoying this trend of maximizing my existing gear.

A humorous tidbit: I often regretted not opting for the VR version of my 24–85mm, but with the Zf's 5-axis IBIS system, all my lenses are now stabilized. It seems technology (Zf's IBIS) has caught up to my thriftiness (a non-stabilized zoom lens).

Thanks to the FTZ adapter, I can manually focus and use my other F-mount lenses with the Zf, and I'm eager to experiment with portrait photography using the 105mm f/2.5 and 100mm f/2.8 Series E lenses. That said, I would gladly purchase a Z-mount SE telephoto if Nikon decides to release one.

The Zf has united my Nikon experience. No longer do I feel guilty about the optics I rarely used; instead, I now have a comprehensive full-frame kit at the cost of just a body and an adapter.

Chapter 3: A Blend of Tradition and Modern Functionality

What truly sets the Nikon Zf apart is its advanced functionality despite its classic design. The camera features a vibration reduction system rated for 8 stops, and it includes focus-point IS, which prioritizes stabilization in the area you’re focusing on—quite ingenious.

It currently holds the title for the best low-light autofocusing, performing effectively at -10EV with an f/1.2 lens. The sensor-based stabilization allows pixel-shift capture, reaching up to 96 megapixels, quadrupling the camera's native 24 MP resolution.

The LCD screen is versatile, folding out for various angles, enhancing usability. Additionally, the Pre-Release Capture feature, first seen in the Nikon Z9, enables you to start shooting before fully pressing the shutter button. With a half-press, the camera captures a series of images at up to 30fps (in JPEG) beforehand, a feature I enjoy on my OM-D.

Computational photography capabilities include subject detection for various subjects, and it even supports manual focus lenses. The Skin Softening feature smooths out imperfections while keeping details like eyes and hair sharp. The Zf also introduces Rich Tone Portrait, enhancing skin textures and reducing white clipping.

Having been accustomed to such features on the OM-1, I'm delighted to find similar capabilities in an affordable full-frame option, broadening the types of photography I can undertake.

Chapter 4: Video Capabilities

The Zf allows for up to 2 hours of recording directly to a memory card without needing external devices. Its 4K 30p recording is oversampled from the sensor's 6K data, and it supports slow motion at 4K 60p or 1080 120p (note that the 4K 60p switches to DX-crop mode).

For added stability during movement, electronic VR works in tandem with sensor-shift VR. Nikon has also introduced a shutter priority mode for video, allowing you to record with a fixed shutter speed while the Zf adjusts ISO and aperture to maintain consistent brightness.

During my initial video tests, everything functioned seamlessly. I connected my Rode VideoMic Pro to the mic jack, monitored audio through headphones, and captured clean video with excellent sound quality. The files imported easily into Final Cut Pro.

While filmmaking isn't my primary focus, I often need to capture video quickly and efficiently. The Zf's features are likely to make it my go-to camera for video projects.

Chapter 5: Battery Life and Accessories

Nikon provides an EN-EL15c Lithium battery with the Zf, rated at 7V, 2280 mAh, and 16Wh. Photographers can expect around 360–380 shots per charge. A second battery is priced at $69, and the Nikon MH-25a charger costs an additional $55. As with all photography accessories, costs can accumulate.

You can recharge the EN-EL15c in-camera using the supplied USB-C cable, but this method isn't the most convenient if you have multiple batteries to manage.

The good news for Nikon users is that the design of these Lithium batteries has remained consistent over the years. I retrieved the EN-EL15 battery from my older D610, rated at 7V, 1900 mAH, and 14Wh, and it worked flawlessly in the Zf. Though it may not deliver the full 380 shots, I estimate it should last at least 300.

Nikon has confirmed that the EN-EL15b and EN-EL15a batteries can also be used in place of the EN-EL15c, although they may yield fewer shots per charge.

Additionally, the external MH-25 charger from my D610 works with the EN-EL15c battery, providing an extra battery and charger combination.

While rummaging through my Nikon accessories, I discovered a charming HN-3 metal lens hood. Since Nikon continues to use a 52mm filter thread for the 40mm Z optic, I can incorporate both the classic metal hood and a Nikon L37 protection filter into my setup.

The Zf is quickly becoming a timeless piece in my collection.

Chapter 6: The Trade-offs

While the absence of a pop-up flash might be inconvenient, it suits the camera's character. My D610, now a backup, has an integrated flash, so I'm not concerned.

Some reviewers have critiqued the second card slot for being Micro SD. However, I'm pleased they've managed to include a second slot for backups, and I haven't encountered any issues with the Micro SD so far.

The card slots are located within the battery compartment, which may not be the most user-friendly setup. I have to remove the battery to access the Micro SD, which is less than ideal. However, I'm considering the SmallRig L-Shape Grip ($40) for a more comfortable hold and compatibility with Arca-type dovetails.

A notable drawback is the reported incompatibility of threaded cable releases with the chrome shutter button. After testing various options, none worked, leading me to believe that the threads are merely for a soft-touch button.

Chapter 7: Low Light Performance

Recently, I was tasked with photographing the interior of a commercial haunted house just before its opening—a true test for low-light photography. The last time I faced a similar scenario, I used a Sony A-Series full-frame camera, which struggled but managed.

Armed with the Zf, I entered the haunted house at ISO 25,600. Initially, I thought the 40mm f/2 would suffice, but the tight spaces forced me to switch to the 24–85mm zoom. At 24mm, my maximum aperture was f/3.5.

Rushing from scene to scene with limited time, I captured most shots at 24mm, f/3.5, 1/15th of a second, handheld, with ISO fluctuating between 12,800 and 25,600.

The shots appeared promising on the LCD, but we know that can be deceptive. Later that night, when I opened the NEF files in Lightroom, I was astounded by the results.

The Zf accurately focused in those challenging lighting conditions, even with an older lens and adapter. The dynamic range management was impressive, yielding sharp, well-balanced images right out of the camera. Noise was remarkably controlled, and colors, including vibrant reds, remained true to life.

I had never experienced such performance before—truly remarkable.

Chapter 8: Ideal Users for the Nikon Zf

This camera is a fantastic option for professional photographers seeking an enthusiast-level tool. It's perfect for fine art photographers, landscape creators, and portrait artists, as well as everyday dads trying to keep pace with their kids.

Event photographers will appreciate the Small Rig grip ($39) for extended events like weddings. Based on my haunted house experience, I would trust the Zf for any significant occasion.

If you enjoy taking photos with a beautifully designed camera that enhances rather than hinders your creativity, the Zf will likely resonate with you.

Chapter 9: Who Might Want to Look Elsewhere

However, this camera isn't suited for sports photography due to the lack of bottom contacts for a pro grip, nor is it ideal for long, heavy lenses typically used in wildlife shooting.

For travel photography, I still favor the OM-1, which offers a compact lens library that fits seamlessly into my carry-on luggage.

If you prefer smaller prime lenses like the Nikon 28mm SE and 40mm SE, the Zf could serve as a competent travel companion, but be cautious as zoom lenses alter the dynamics.

Conclusion: A Modern Classic

Nikon has truly succeeded with the Zf on its third try at merging vintage charm with modern functionality. I did not test the Df DSLR due to its quirks and lack of video features, and while I wanted to love the Zfc mirrorless, its performance fell short. The Zf is the Nikon I've longed for.

It's a robust mirrorless option that allows me to take on assignments requiring a full-frame sensor and excellent low-light performance. I'm particularly impressed with its video capabilities and the ability to utilize my existing Nikon lenses for creative projects.

Considering today's gear prices, the $2,236 price tag for the body and the 40mm SE prime is quite reasonable. With the FTZ II adapter, you can achieve a fully functional kit for under $2,500.

With its impressive specifications and Nikon's commitment to firmware updates, the Zf is poised to serve photographers well for years to come. It truly stands as a modern classic.

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All photos by Derrick Story.

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